Yes, writing makes me think. I'm a thinking audiophile. I must also first profess that I was "equipment first, music is secondary". Classical music changed that order. I listen to mostly everything except hip hop and rock, I still come back to classical music at the end of the day. Classical music has that universal standard for a good sound guide. When in doubts, I could pop in the local orchestra for a sound check. Everything has to give way to commercial, in order to sell more copies, the recording engineer always has a hand in editorializing recording. You name it, the deliberate loudness war, noise filtering, compression and a rise in upper mids, I have had enough of these artifacts. It isn't a bright idea using your favorite music as a reference. The emotional appeal and as a sound guide is obviously two different things, not to mention hits and misses. A biased system will always be selective on music. Make sense that you don't take all comments to heart, screen them, find out whose comment is worthy and work from there.
A balanced sound is the key to a good playback. Please, I have grown weary of Chinese CDs. Can't stand the artificial detail, to many folks, boosts the perception of airiness and detail. Totally bullshit. The voices are rendered the honky and punch out when cranking the volume up, inducing the irritating listening ringing. No fatigue sound in high volume playback, calm and at ease, imagine you're in a state of utopia. Plainly psychology, we must refrain the little man in our head dictating our preferences. Vocal cords, breathing, slurpy sweet, coquettish, bass and loudness for instance, the bigger bass and the higher sound pressure level, the better, music doesn't need to play any louder than it should have. Secondly, let your ears do the job. Never subcontracting it to the little man even if you're tempted to.
In the pursuit of sonic excellence, music should be the core of this passion. Develop your interest in music, you will find audioing so much rewarding. It gets closer to musical truths corresponding to the articulation, and the depth of music too. The highlighted note contrast, the stark dynamic, the emotional connection, everything is inter-related. Classical music is the catalyst that fuels my audio endeavor. My deep admiration to the composers for their works, the art of composition, the techniques, the tone color/texture, the mood creations, the harmonies and the drama. By all mean, classical music is not like fast food music, it takes measured and calculated arrangements. From the music sheet to the conducting, the conductor was given the power to make sound through the orchestra and he is the commando who hears all. If the performance is poor, blame the conductor, not the orchestra! Benjamin Zander, the conductor of Boston Philharmonic Orchestra, conducting music requires knowledge, emotions and music intuitive. The question is since women are the better listener, why is the field of composing and conducting male dominant?
To help you springboard to classical music, turn to Youtube, look out for Benjamin Zander masterclass. His class is so inspiring, easy to pick up. Come see the transformation in the young musician's play in the end of the class. Pardon me, I'm not musically trained, but I could comprehend Zander's insights and his touches on the music. He is truthful to the tempo of the composer's work. Watch and be inspired.
Hanging to dry |
One down two to go, lower midrange boom is a universal problem. Make worse if you have a small room. The secondary reflections time delay is a tad short, they introduce wooliness. The whole idea is to prolong the delay time of primary reflection. Though it is difficult to totally eliminate the ill effects, still, my panels reduce a considerable uncleanness. So effective that I have gotten rid of all my generic 6 well diffusers.
Utopia |